Antiquarian font
Antiquarian Scribe
Bonnycastle
Geographica
Geographica Hand
Geographica Script
Terra Ignota
Abigail Adams font
American Scribe
Austin Pen
Botanical Scribe
Douglass Pen
Emily Austin font
Geographica Script
Houston Pen
Lamar Pen
Military Scribe
Old Man Eloquent font
Remsen Script
Schooner Script
Texas Hero font
Attic Antique
Bonsai
Broadsheet
Castine
 CREDITS, &C.
The text face used here (as well as elsewhere) is Broadsheet™. The home page letters are set in Emily Austin™ & Lamar Pen™. All typefaces referenced on this website—Abigail Adams™, American Scribe™, Antiquarian™, Antiquarian Scribe™, Attic Antique™, Austin Pen™, Bonnycastle™, Bonsai™, Botanical Scribe™, Broadsheet™, Castine™, Douglass Pen™, Emily Austin™, Geographica™, Geographica Hand™, Geographica Script™, Houston Pen™, Lamar Pen™, Military Scribe™, Old Man Eloquent™, Remsen Script™, Schooner Script™, Terra Ignota™ & Texas Hero™, as well as others in the Handwritten History™ Bundle— are the intellectual property of Three Islands Press (copyright ©1994–2017). For site licensing contact:

   Three Islands Press
   P.O. Box 1092
   Rockport ME 04856 USA
   (207) 596-6768
   info@oldfonts.com

 

Write like they used to.
     H O M E  
  F A Q  
FREE with any order this month is Geographica Hand, a vintage handwritten serif.
Austin Pen font
Historical Pens » Austin Pen
In Progress!  
Austin Pen Opentype
Austin Pen™

Empresario Stephen F. Austin (1793-1836) is considered by many the “Father of Texas” for leading the first Anglo-American colony into the then-Mexican territory back in the 1820s. But while on a diplomatic mission a few years later, Austin was arrested on suspicion of plotting Texas independence and imprisoned in Mexico City for virtually all of 1834. During this time he kept a secret diary—much of it written in Spanish. Austin Pen is my interpretation of his scribblings in this miniature prison journal (now in the collection of the wonderful Dolph Briscoe Center for American History). On digitizing his bold, plain script, I’m hoping to create a font that’s both legible and evocative of commonplace American penmanship of two centuries ago.

Of course Texas did in fact gain independence, in 1836, and Austin ran for the new republic’s first president. He lost to Sam Houston (see Houston Pen), who appointed him Secretary of State, but soon after Stephen Fuller Austin died at the early age of 43. (Incidentally, our Emily Austin font is modeled after the hand of Austin’s sister, Emily Austin Perry (1795–1851).) For more details about my work on this font, visit The Antique Penman. And to be among the first to hear of Austin Pen’s release, consider subscribing to our e-news list.

 See below for periodic Austin Pen design updates!  

*Note: Anyone who purchases our Historical Pen Fonts Collection or our Full OldFonts Library will receive a copy of Austin Pen when released—at no extra charge.


More Austin Pen discretionary and contextual ligatures and alternates

21 September 2017. Here’s a sampling of a bunch more just-designed Austin Pen discretionary and contextual ligatures and alternates—focusing this time on the upper- and lowercase “t.”

Austin Pen discretionary and contextual ligatures and alternates

17 September 2017. More Austin Pen discretionary and contextual ligatures and alternates—focusing on lowercase “n” through “s” (but you’ll find others here also).

Another sampling of Austin Pen's ligatures and alternates

06 September 2017. Here’s another sampling of some newly minted Austin Pen ligatures and alternates—including glyphs for Mr., Mrs., and Miss.

Austin pen will have a bunch of f ligatures

31 August 2017. Austin Pen will have a whole bunch of “f” ligatures—in fact, more than just these.

Samples of more ligatures and alternates in the Austin Pen font

28 August 2017. A few more examples of ligatures and alternates—mostly using various “b” and “d” alts.

A few words that show a selection of ligatures and alternates in the Austin Pen font

23 August 2017. Here are a few words that show off some of the alternates and ligatures I’ve been working on. (Can you spot them?)

The first few lowercase alternates in the Austin Pen font

21 August 2017. The first few of nearly 300* lowercase ligatures and alternates. (*Including diacriticals.)

Austin Pen alternate S, T, U, and V glyphs

16 August 2017. Alternate caps S through V (along with regular bold styles). Still tweaking.

Austin Pen alternate O, P, Q, and R glyphs

15 August 2017. Here’s a few more alternate uppercase characters.

Austin Pen alternate L, M, and N glyphs

13 August 2017. Today’s batch.

Still more alternate uppercase glyphs

12 August 2017. Another batch of alternate uppercase characters (along with standard bold caps counterparts).

More alternate uppercase glyphs

11 August 2017. Here are a few more alternate uppercase characters—alongside with standard bold caps versions.

Working on the alternate uppercase glyphs

07 August 2017. Been working on the alternate uppercase characters. Here are just a few.

Austin Pen will have a bold style

02 August 2017. Decided this day that the “blot” stylistic set will in fact be a full bold style. This means it’ll take an extra week or so to finish—but I hope you agree a second weight will be worth the wait.

Austin Pen font blot glyphs

21 July 2017. Worked today on an alternate “blot” alphabet—to be accessible as an OpenType stylistic set—that’ll replicate the look of Austin’s script when applied to paper with a leaky pen.

Austin Pen font extended Latin

18 July 2017. Nearly all the extended Latin glyphs are done. Now on to the stylistic alternates.

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—B.P., Marietta OH

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Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada