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The text face used here (as well as elsewhere) is Broadsheet™. The home page letters are set in Emily Austin™ & Lamar Pen™. All typefaces referenced on this website— Abigail Adams™, American Scribe™, Antiquarian™, Antiquarian Scribe™, Attic Antique™, Austin Pen™, Bonnycastle™, Bonsai™, Botanical Scribe™, Broadsheet™, Castine™, Douglass Pen™, Emily Austin™, Geographica™, Geographica Hand™, Geographica Script™, Houston Pen™, Lamar Pen™, Military Scribe™, Old Man Eloquent™, Remsen Script™, Schooner Script™, Terra Ignota™ & Texas Hero™, as well as others in the Handwritten History™ Bundle— are the intellectual property of Three Islands Press (copyright ©1994–2020). For site licensing contact: Three Islands Press P.O. Box 9438 SLC UT 84109-9438 USA (207) 596-6768 info@oldfonts.com |
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| Font Bundles » Historical Pen Fonts Collection |
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Historical Pen Fonts Collection
Simulate authentic-looking old handwriting with our unique set of fourteen historical penmanship fonts—Abigail Adams™, American Scribe™, Austin Pen™, Botanical Scribe™, Douglass Pen™, Emily Austin™, Geographica Script™, Houston Pen™, Lamar Pen™, Military Scribe™, Old Man Eloquent™, Remsen Script™, Schooner Script™, and Texas Hero™—each modeled after actual handwriting from the 1700s and 1800s. All have extensive character sets and plenty of OpenType features, including contextual and discretionary ligatures, lining and old-style numerals, ink blots, cross-outs, period flourishes, and full Latin support. Separate licenses cost $39 to $49 each—or you may buy the whole collection here for the special price of $249 | Order 
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“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD
“I think this font is amazing. It is incredibly beautiful and in my opinion looks very authentic.”
—E.H., Brookline MA
“All [these] typefaces are wonderful, romantic creative fonts which no serious designer could possibly overlook.
—G.H., London, England
“I must say [Texas Hero] is one of the most beautiful fonts I’ve ever seen.”
—J.C., Mount Holly NC
“Your fonts are gorgeous, and in particular, your handwriting fonts are the best I've ever seen.”
—J.H., Witny, Oxfordshire, England
“Well done on preserving the old ways of writing—they wrote and spoke so much nicer than we do now.”
—A.K., Adelaide, S. Australia
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
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