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The text face used here (as well as elsewhere) is Broadsheet™. The home page letters are set in Emily Austin™ & Lamar Pen™. All typefaces referenced on this website— Abigail Adams™, American Scribe™, Antiquarian™, Antiquarian Scribe™, Attic Antique™, Austin Pen™, Bonnycastle™, Bonsai™, Botanical Scribe™, Broadsheet™, Castine™, Douglass Pen™, Emily Austin™, Geographica™, Geographica Hand™, Geographica Script™, Houston Pen™, Lamar Pen™, Military Scribe™, Old Man Eloquent™, Remsen Script™, Schooner Script™, Terra Ignota™ & Texas Hero™, as well as others in the Handwritten History™ Bundle— are the intellectual property of Three Islands Press (copyright ©1994–2018). For site licensing contact: Three Islands Press P.O. Box 1092 Rockport ME 04856 USA (207) 596-6768 info@oldfonts.com |
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| Font Bundles » Historical Pen Fonts Collection |
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Historical Pen Fonts Collection
Simulate authentic-looking old handwriting with our unique set of fourteen historical penmanship fonts—Abigail Adams™, American Scribe™, Austin Pen™, Botanical Scribe™, Douglass Pen™, Emily Austin™, Geographica Script™, Houston Pen™, Lamar Pen™, Military Scribe™, Old Man Eloquent™, Remsen Script™, Schooner Script™, and Texas Hero™—each modeled after actual handwriting from the 1700s and 1800s. All have extensive character sets and plenty of OpenType features, including contextual and discretionary ligatures, lining and old-style numerals, ink blots, crossouts, and period flourishes—as well as full Latin support. Separate licenses cost $39 to $49 each—or you may buy the whole collection here for the special price of $249—a savings of $317! | Order 
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“I happened across your website completely by accident, and I was astounded by the fonts I found there. They are amazing.”
—M.S., Ontario, Canada
“The Texas Hero font is fantastic and just what I have been looking for.”
—D.M., Mahwah NJ
“Oh! I'm in loooove with this font! It's lovely, it's organic, it's real, it's got history & tradition. My designs are singing!”
—C.C., Palo Alto CA
“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England
“[American Scribe] may be the greatest font ever! Everyone on the planet should have it!”
—M.P., Boulder CO
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“All [these] typefaces are wonderful, romantic creative fonts which no serious designer could possibly overlook.
—G.H., London, England
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