Years ago, I developed an interest in the Japanese art of dwarfed potted trees, bonsai. I bought some books on the subject from Brooklyn Botanic Garden. In one—Handbook on Bonsai: Special Techniques (seventh printing, February 1976)—the type was bad. Old worn lead type, I suspect, spread wide in the tops of characters and disappearing on the bottoms. Two decades later, I came across my Brooklyn Botanic Garden collection and was struck again by this interesting type. Inspired, I made a typeface. Didn’t take me long to decide on a name for it either: a name with a double-meaning, based both on its look and its inspiration. Bonsai, the typeface, has two styles, a roman and a true italic.* $US49. | Order  

*The OpenType release of Bonsai™ adds true small capitals, old-style and lining figures, numerous ligatures, and Central/Eastern European alphabets.

“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD

“[American Scribe] is the 3rd font I have ordered from this foundry! Love them. Thanks for the good and authentic work!”
—V.B., BC, Canada

“I think this font is amazing. It is incredibly beautiful and in my opinion looks very authentic.”
—E.H., Brookline MA

“Not only is Texas Hero a uniquely beautiful font, there’s also the matter of Texas pride.”
—S.P.G., San Antonio TX

“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada

“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA

“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England