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The text face used here (as well as elsewhere) is Broadsheet™. The home page letters are set in Emily Austin™ & Lamar Pen™. All typefaces referenced on this website— Abigail Adams™, American Scribe™, Antiquarian™, Antiquarian Scribe™, Attic Antique™, Austin Pen™, Bonnycastle™, Bonsai™, Botanical Scribe™, Broadsheet™, Castine™, Douglass Pen™, Emily Austin™, Geographica™, Geographica Hand™, Geographica Script™, Houston Pen™, Lamar Pen™, Military Scribe™, Old Man Eloquent™, Remsen Script™, Schooner Script™, Terra Ignota™ & Texas Hero™, as well as others in the Handwritten History™ Bundle— are the intellectual property of Three Islands Press (copyright ©1994–2019). For site licensing contact: Three Islands Press P.O. Box 1092 Rockport ME 04856 USA (207) 596-6768 info@oldfonts.com |
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About Us
OldFonts.com is owned by Three Islands Press (“3IP”), a small independent type foundry in Rockport, Maine. Its owner, Brian Willson, is also the resident type designer.
 Brian Willson grew up in Austin, Texas, in the 1950s and ’60s. He bounced around the Austin music scene a while before snagging a Radio/TV/Film degree from The University of Texas in 1979. The next year he became a father and promptly high-tailed it with his little family to coastal Maine, where he worked as a broadcast and print journalist for many years.
Willson founded 3IP in 1989 to self-publish a book of pretentious nature essays. Soon after, he found himself tinkering with type design, and 3IP has since become known for its library of authentic-looking handwritten fonts—most of them modeled after historical penmanship—and antique text-type simulations.
In his free time, Willson enjoys birding, hiking, cycling, and nature photography. For the past year or two, he’s been fiddling around with fiction. And from the distant shores of Penobscot Bay, he remains a rabid Texas Longhorns fan. |
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“I have never encountered such fine and detailed work in a handwritten font before. I heartily applaud your attention to detail and historical accuracy.”
—J.W., Seattle WA
“I happened across your website completely by accident, and I was astounded by the fonts I found there. They are amazing.”
—M.S., Ontario, Canada
“Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada
“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England
“Your fonts are gorgeous, and in particular, your handwriting fonts are the best I've ever seen.”
—J.H., Witny, Oxfordshire, England
“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA
“Thanks so much for the great service and wonderful typefaces!”
—S.F., Evanston IL
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