Old penmanship and handwriting fonts
 OLD MAP FONTS:
Antiquarian
Antiquarian Scribe
Terra Ignota
 HISTORICAL PENS:
Abigail Adams
American Scribe
Botanical Scribe
Douglass Pen
Emily Austin
Houston Pen
Lamar Pen
Military Scribe
Lamar Pen
Remsen Script
Schooner Script
Texas Hero
 ANTIQUE TEXTS:
Attic Antique
Bonsai
Broadsheet
Castine
Order Handwriting Fonts
 CREDITS, &C.
Order Historical Fonts Online
The text face used here (as well as elsewhere) is Broadsheet™. The home page letters are set in Emily Austin™ & Lamar Pen™. All typefaces referenced on this website—Abigail Adams™, American Scribe™, Antiquarian™, Antiquarian Scribe™, Attic Antique™, Bonsai™, Botanical Scribe™, Broadsheet™, Castine™, Douglass Pen™, Emily Austin™, Houston Pen™, Lamar Pen™, Military Scribe™, Old Man Eloquent™, Remsen Script™, Schooner Script™, Terra Ignota™ & Texas Hero™—are the intellectual property of Three Islands Press (copyright ©1994–2015). For site licensing contact:

   Three Islands Press
   P.O. Box 1092
   Rockport ME 04856 USA
   (207) 596-6768
   info@oldfonts.com

 

Write like they used to.
     H O M E  
  F A Q  
Antiquarian Scribe font
Old Map Fonts » Antiquarian Scribe Try the Antiquarian font   Order the Antiquarian font 
Antiquarian Scribe Opentype
Antiquarian Scribe™

Henri Abraham Chatelain was a cartographer and publisher of the famous Atlas Historique, ou Nouvelle Introduction a l’Histoire, a world atlas released between 1705 and 1732 in Amsterdam. A few years ago, at an antique book shop in London, I bought a page from Chatelain’s atlas—a page covering the Near East, India, the Indian Ocean—that had a particularly alluring, oblique handlettering style. The text is in French, which gave me plenty of samples of diacritics and accented characters. The overall effect is neat and legible, with a distinctly historical flair. Antiquarian Scribe is a full-featured font* that works well with Antiquarian. US$39. | Order  Buy a cartography font

*The OpenType release of Antiquarian Scribe™ adds true small caps, numerous ligatures, Central/Eastern European and Greek alphabets, and several distinctive cartographic ornaments.

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 KIND WORDS:

“Oh! I'm in loooove with this font! It's lovely, it's organic, it's real, it's got history & tradition. My designs are singing!”
—C.C., P