Antiquarian font
Antiquarian Scribe
Bonnycastle
Geographica
Geographica Hand
Geographica Script
Terra Ignota
Abigail Adams font
American Scribe
American Scribe
Bonhomme Richard
Botanical Scribe
Douglass Pen
Emily Austin font
Geographica Script
Houston Pen
Lamar Pen
Military Scribe
Old Man Eloquent font
Remsen Script
Schooner Script
Texas Hero font
Attic Antique
Bonsai
Broadsheet
Castine
 CREDITS, &C.
The text face used here (as well as elsewhere) is Broadsheet™. The home page letters are set in Emily Austin™ & Lamar Pen™. All typefaces referenced on this website—Abigail Adams™, American Scribe™, Antiquarian™, Antiquarian Scribe™, Attic Antique™, Austin Pen™, Bonhomme Richard™, Bonnycastle™, Bonsai™, Botanical Scribe™, Broadsheet™, Castine™, Douglass Pen™, Emily Austin™, Geographica™, Geographica Hand™, Geographica Script™, Houston Pen™, Lamar Pen™, Military Scribe™, Old Man Eloquent™, Remsen Script™, Schooner Script™, Terra Ignota™ & Texas Hero™ (as well as all other fonts in the Handwritten History™ Bundle)—are the intellectual property of Three Islands Press (copyright ©1994–2025). For site licensing contact:

   Three Islands Press
   P.O. Box 1092
   Rockport ME 04856 USA
   (207) 596-6768
   info@oldfonts.com

 

Write like they used to.
     H O M E  
  F A Q  
FREE with any order this month is Broadsheet, a vintage newspaper typeface.
Botanical Scribe font
Historical Pens » Botanical Scribe Try the Botanical Scribe font   Order the Botanical Scribe font 
Botanical Scribe Opentype
Botanical Scribe™

“The Raphael of Flowers” is what they called Pierre-Joseph Redouté a couple hundred years ago. The Belgian native became famous in France, where he painted floral watercolors for both Marie Antoinnette and Empress Josephine. But what cemented his legacy was his perfection of a stipple engraving technique that brought his botanical art to the masses. Botanical Scribe is modeled after the neat, cursive hand-inscribed legends on these antique prints. Because it simulates handlettering, the font retains a warm, organic quality not seen in fancy modern scripts while remaining both elegant and legible. (Its many ligatures lends to this authenticity.) Good for formal invitations or historical simulations. Comes with a full complement of OpenType features.* $39 | Order  elegant floral script

*OpenType features include scores of ligatures, stylistic and contextual alternates, lining and old-style figures, floral ornaments, and complete Central/Eastern European alphabets.

Try It Out Download Demo View Character Set
Order the Botanical Scribe font online Order the Botanical Scribe font online

 To order Botanical Scribe, choose a license and “Add” to your shopping basket.

Type of License

Fee

Basket

  Standard Desktop License 💻

$39

  Web License 🌐

$39

  Full License (Desktop + Web) 💻 🌐

$59

💻 Desktop License—a standard license for creating personal/commercial art, documents, and graphics.
🌐 Web License—permitting installation on a server for embedding fonts via CSS in website designs.

Old Fonts
Three Islands Press

Copyright ©1993–2025 Three Islands Press.
info@oldfonts.com

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 KIND WORDS:

“Our 3rd and 4th graders are thrilled that their historical writing is going to look so authentic!
—S.E., Charlottesville VA

“The fonts you offer are quite unique and beautifully done.... Your site and ecommerce process was also a pleasure to view and to use.”
—R.M., Newbury NH

“Oh! I'm in loooove with this font! It's lovely, it's organic, it's real, it's got history & tradition. My designs are singing!”
—C.C., Palo Alto CA

“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA

Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada

“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England

“Well done on preserving the old ways of writing—they wrote and spoke so much nicer than we do now.”
—A.K., Adelaide, S. Australia