 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
|
 |
The text face used here (as well as elsewhere) is Broadsheet. The home page letters are set in Emily Austin & Lamar Pen. All typefaces referenced on this website Abigail Adams, American Scribe, Antiquarian, Antiquarian Scribe, Attic Antique, Austin Pen, Bonhomme Richard, Bonnycastle, Bonsai, Botanical Scribe, Broadsheet, Castine, Douglass Pen, Emily Austin, Geographica, Geographica Hand, Geographica Script, Houston Pen, Lamar Pen, Military Scribe, Old Man Eloquent, Remsen Script, Schooner Script, Terra Ignota & Texas Hero (as well as all other fonts in the Handwritten History Bundle)are the intellectual property of Three Islands Press (copyright ©19942025). For site licensing contact: Three Islands Press P.O. Box 1092 Rockport ME 04856 USA (207) 596-6768 info@oldfonts.com |
|
|
|
 |
 |
 |
|
 |
 |
 |
 |
FREE with any order this month is Remsen Script, a formal 1700s script font. |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
Old Map Fonts » Geographica |
 |

Thomas Jefferys (ca. 17101771) was the best-known map maker in 18th-century England, chiefly because he won (and hyped) the title “Geographer to King George III.” When I first laid eyes on Jefferys’s maps of North America, I found the hand-lettering and embellishments so captivating that I began then and there to envision what would eventually become Geographica, a four-style serif family.
Geographica combines a sort of hand-drawn warmth with a distinctly historical flair. Its long serifs and ample x-height will add classic elegance to long blocks of text or display type, whether on paper or screen. Comes also with a slew of unique cartographic ornaments and is packed with OpenType featuresmore than 1,200 glyphs in all.* $99 | Order  |
 |
*OpenType features include true small caps, two stylistic sets of titling caps, contextual and discretionary ligatures, lining and old-style figures, cartographic ornaments, and full support for Central and Eastern European languages. |
|
 |
|
|
 |
 |
 |
 |
|
Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography! A.L., Los Angeles CA
Keep up the fonts! They are some of the best I have seen in 10-plus years of design. M.O., Little Rock AR
[American Scribe] may be the greatest font ever! Everyone on the planet should have it! M.P., Boulder CO
I happened across your website completely by accident, and I was astounded by the fonts I found there. They are amazing. M.S., Ontario, Canada
Oh! I'm in loooove with this font! It's lovely, it's organic, it's real, it's got history & tradition. My designs are singing! C.C., Palo Alto CA
Well done on preserving the old ways of writingthey wrote and spoke so much nicer than we do now. A.K., Adelaide, S. Australia
I took one look at American Scribe and knew it was the Declaration of Independence before reading the ad copy. You captured it perfectly. B.P., Marietta OH
|
|
|
|
 |
 |