Old penmanship and handwriting fonts
Antiquarian font
Antiquarian Scribe
Bonnycastle font
Geographica typeface
Geographica Hand
Geographica Script
Terra Ignota
Abigail Adams font
American Scribe
Austin Pen
Bonhomme Richard
Botanical Scribe
Douglass Pen
Emily Austin font
Geographica Script
Houston Pen
Lamar Pen
Military Scribe
Lamar Pen
Remsen Script
Schooner Script
Texas Hero font
Attic Antique font
Bonsai font
Broadsheet font
Castine font
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The text face used here (as well as elsewhere) is Broadsheet™. The home page letters are set in Emily Austin™ & Lamar Pen™. All typefaces referenced on this website—Abigail Adams™, American Scribe™, Antiquarian™, Antiquarian Scribe™, Attic Antique™, Austin Pen™, Bonhomme Richard™, Bonsai™, Botanical Scribe™, Broadsheet™, Castine™, Douglass Pen™, Emily Austin™, Geographica™, Geographica Hand™, Geographica Script™, Houston Pen™, Lamar Pen™, Military Scribe™, Old Man Eloquent™, Remsen Script™, Schooner Script™, Terra Ignota™ & Texas Hero™ (as well as all other fonts in the Handwritten History™ Bundle)—are the intellectual property of Three Islands Press (copyright ©1994–2015). For site licensing contact:

   Three Islands Press
   P.O. Box 1092
   Rockport ME 04856 USA
   (207) 596-6768
   info@oldfonts.com

 

The Antique Penman
     H O M E  
  F A Q  
Posts Tagged ‘1700s’
The Pen of John Paul Jones
Monday, August 19th, 2019
Sample of John Paul Jones’s penmanship

A sample of the handwriting of John Paul Jones.

Not very long ago I announced that Austin Pen (released a year and a half ago) would be my last original font. Just kidding!

O.K., I wasn’t kidding at all at the time—but I’ve changed my mind.

What prompted my reconsideration was an out-of-the-blue query by a U.S. Navy Chief about the possibility of modeling a font after the handwriting of America’s first naval hero, John Paul Jones. He included a link to a three-page letter Jones wrote in 1779, now in the digital archives of the U.S. Naval Academy.

Not only did the letter’s author have a neat, legible, graceful hand, but somehow the idea of modeling a font after the script of an 18th-century ship’s captain—let alone the most famous naval commander of the Revolutionary War—truly piqued my fancy.

Chevalier John Paul Jones.

Commander John Paul Jones.

Just that last phrase should tell you something. Despite the hundreds of hours required, and all the tedium endured, designing these old pen fonts brings more than just a new addition to folks’ font menus—it sends me on an adventure back through time. I get to read the minds of people from the past as translated via ink onto paper. I get a glimpse of their personalities, not just from the words they chose but their writing style. And brush up on historical turns-of-phrase while I’m at it.

Of course I can’t help but imagine what those bygone days must’ve been like to the people wielding those pens. I put myself, however briefly, in their strange old shoes instead of these trusty sandals.

I’ve already begun the project by researching this famous Scots-born naval commander. His were vastly different times: He took to sea in his early teens, worked on merchant (even slave) ships, killed a mutinous crewman by sword, added “Jones” to his birth name to throw the authorities off his trail upon moving to Virginia, joined the Continental Navy, took command of the USS Bonhomme Richard, and emerged victorious from the legendary Battle of Flamborough Head (which spawned his apocryphal “I have not yet begun to fight!”). He befriended Benjamin Franklin, dined with John and Abigail Adams on multiple occasions, preferred the title Chevalier to Commander, ended his career as an Admiral in Imperial Russia, and died in Paris at age 45.

I found an elucidating mention of Jones in a letter from Abigail Adams to her sister Betsy, dated December 3rd, 1784. Here’s a snippet set in Abigail’s eponymous font:

A snippet of Abigail Adams’s impressions of John Paul Jones (set in  Abigail Adams).


“We do not often See the Warriour and the Abigail thus united.”
Ah, the delightful mental images handwritten letters to sisters leave you with.

It’ll take me a while to make this font, but stay tuned sometime in 2020—perhaps the 228th anniversary of the death of Chevalier Jones.


Miscellanea

» What if the handwriting on the wall is cursive? Anything to keep from having to point to pictures on the menu.

» How about this message in a bottle? Or this one? It might seem old-fashioned, but it’s way cooler than a smart phone.

» A 382-year-old family tree: Very old handwriting in China.

» Billy the Kid had great penmanship: The Wild West outlaw’s hand survives in more than one letter to New Mexico’s governor in 1871.

» A Tribute to the Fountain Pen: “No one writes like Abraham Lincoln anymore.”

» More recent famous people do, too: Like Meghan Markle.

» Now you, too, can learn to decipher old handwriting. (Hm, maybe I should consider teaching such a class.)

Fancying Things Up: 18th Century Penmanship
Thursday, September 15th, 2016
Amerique Septentrionale (detail).

Amerique Septentrionale (detail).

It all began with my fascination with old maps. Long before I’d even designed my first font, in fact, my parents had given me a collection of printed maps of Texas from the 1500s to the 1900s called Contours of Discovery.

I marveled at the hand-lettered legends and place names and how they differed over the centuries—and years later modeled Terra Ignota after the lettering on one of these prints, Amerique Septentrionale, by French cartographer Nicolas Sanson d’Abbeville.

Cartographic work of Emanuel Bowen (detail).

Cartographic work of Emanuel Bowen (detail).

To date, I’ve released five typefaces inspired by maps and charts from the 17th through 19th centuries, most recently my first-ever serif text-type family, Geographica. My plan was to offer two kindred fonts—a script and a hand—that simulate the penmanship on Geographica’s source materials, the mid-1700s maps of English engravers Emanuel Bowen and Thomas Jefferys.

And in rounding out the character set for the first of these, Geographica Script, I stumbled on a fascinating phenomenon I’d never heard of: trade cards. In particular, British and Colonial American trade cards from the 1700s that, like cartographic prints from the period, demonstrated ornate 18th century penmanship.

Trade card for Spermacaeti Candles.

Trade card for Spermacaeti Candles (click for larger view).

The precursors of modern business cards, trade cards were designed, engraved, and printed for tradesmen, service providers, and salespeople to distribute to potential customers as introductions to (or advertisements for) their particular businesses. Not only were these cards covered in fancy, graceful round hand, but they usually also featured opulent floral designs and period illustrations of products and popular symbols—like anchors, crowns, doves, and lions rampant.

As soon as I laid eyes on 18th century trade cards, Geographica Script got a lot more interesting: it’ll come with many such ornaments.

William Hogarth illustration.

William Hogarth illustration.

A number of the images I found—in collections from such places as the British Museum, the Museum of London, and Yale’s Lewis Walpole Library—were the work of English printmaker William Hogarth, an artist and cartoonist credited with pioneering western sequential art. The prolific Hogarth was a master at reproducing the iconic symbols of the period.

And the round hand itself on these varied, intricate cards added a plethora of flourishes, swashes, and embellishments. Curls and loops, fancy ampersands. (My OpenType-features cup overfloweth.) Plus, I learned a few things, such as the meaning of the ubiquitous abbreviation “NB” (nota bene, or note well) and the fact that, as long as 250 years ago, we English speakers were fond of the phrase “all sorts of.”

Geographica Script is taking longer than I’d imagined, but I’m anxious to find out how it’s received. (There’ll even be a unicorn!) I dare not predict a release date, but keep your eyes peeled.

Geographica Script Unicorn rampant.

Geographica Script unicorn rampant.

* * *

A few trade card links:

Trade cards at the British Museum

Trade cards at the Museum of London

Trade cards at the Fitzwilliam Museum

Search the Lewis Walpole Digital Images Collection

Trade cards on Pinterest

 


 

Miscellanea

» Do this: take five minutes to listen to this TED talk by Lakshmi Pratury on letter-writing. (Just do it.)

» Here’s a transcript of the Ted Radio Hour podcast about Laskhmi Pratury’s talk (and a link to the podcast).

» Civil War amputees helped by left-handed penmanship contests

» …and Geneva, Ohio, students participate in a Spencerian handwriting contest.

» The power of cursive penmanship in the 21st century, in response to…

» …Anne Trubek’s opinion in the New York Times (that handwriting no longer matters).

» Japan’s prime minister wins praise for his handwriting’s “good-looking characters.”


Abigail Adams American Scribe Austin Pen Bonhomme Richard Botanical Scribe Douglass Pen

Emily Austin Houston Pen Lamar Pen Military Scribe Old Man Eloquent

Remsen Script Schooner Script Texas Hero Antiquarian Antiquarian Scribe Bonnycastle Geographica

Geographica Hand Terra Ignota Attic Antique Bonsai Broadsheet Castine

Historical Pens Old Map Fonts Texas Heroes Set Geographica Set Antique Texts Modern Hands

Age of Discovery Bundle

Handwritten History Bundle


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