Old penmanship and handwriting fonts
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The text face used here (as well as elsewhere) is Broadsheet™. The home page letters are set in Emily Austin™ & Lamar Pen™. All typefaces referenced on this website—Abigail Adams™, American Scribe™, Antiquarian™, Antiquarian Scribe™, Attic Antique™, Bonsai™, Botanical Scribe™, Broadsheet™, Castine™, Douglass Pen™, Emily Austin™, Houston Pen™, Lamar Pen™, Military Scribe™, Old Man Eloquent™, Remsen Script™, Schooner Script™, Terra Ignota™ & Texas Hero™—are the intellectual property of Three Islands Press (copyright ©1994–2015). For site licensing contact:

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The Antique Penman
     H O M E  
  F A Q  
Archive for the ‘News’ Category
Our Flimsy Digital Words
Sunday, February 11th, 2018
From a letter from my mother as I was designing Texas Hero.

Page of a letter from my ma.

For decades I’ve ranked typing as the most useful class I took back in high school. I hated showing up for this particular summer school elective, my story goes, but by the end of the class I could type 40 words a minute. It was like magic. And now I can type 100.

Well, lately I’ve begun to regret my supreme keyboarding skills.

It took a good while to sink in. But just the other day, during my morning hike with Jack, my dog, the true ramifications hit me. Having somehow reached Retirement Age, I’d been ruminating on the written materials I’ve produced over the past 40 or 50 years, both personal and professional. And it occurred to me that—for the past 30 of those years, anyway—nearly all endure as but flimsy digital words. Many thousands of email messages, hundreds of letters in Microsoft Word, text files cram-packed with thoughts and notes and reflections. Intangible, ethereal. All stored, like thoughts, in memory.

A page from my dad’s diary.

A page from my dad’s Army diary.

Even the drafts and revisions of books I’ve authored abide only in digital form.

These things I’ve written exist on various hard drives, in cloud storage—even a few old Zip drives. Remember floppies? SyQuest disks? I’ve got a few of those squirreled away in boxes somewhere.

Projecting time forward a generation or two, I realized that the chances any of my stuff will stick around long enough to find its way into a historical museum somewhere (not that it should) are paper thin. Because none of it’s on paper. And the only way to get it there is to find a way to translate all those 1s and 0s into computer text and print it out. In any old font you want.

Boooring.

But project time backward a couple generations and, and you’ll find journals and notebooks and postcards and stationery filled with handwritten words. Whether cursive or printing, neat or sloppy, slanted this way or that—each style reflects the unique hand of its author. And none of it was put down at 100 words a minute.

From my grandparents to my great-grandparents, 10/22/1943.

Card from my grandparents to my great-grandparents.

I have handwritten letters from my mother, diaries written by my father, postcards from my grandparents. I recognize their familiar cursive styles on envelopes, on the backs of old photos—photos developed in a darkroom, I mean. There’s probably even an old handwritten recipe collection somewhere.

Yet where does my penmanship appear? On a few old love letters and poems perhaps, in a couple or three decades-old notebooks.

On that hike the other day I decided to pick up a pen more often, to write lists and notes, cards and letters, maybe even fill a notebook. My hand might not be practiced, or cursive, or neat. It might take me a while to get over the hand-cramp. But I expect it’ll mean more to the future reader than a bunch of digital words set in, say, Comic Sans.


Miscellanea

» See? “[A]ll that will be remembered of them is what they typed on a piece of paper from a computer.”

» Turns out this gang of fourth graders are diggin’ cursive these days.

» Some might even (like me!) become experts on deciphering old penmanship.

» But neatness counts: A doctor rediscovers the importance of a legible hand.

» The uniqueness of individual handwriting makes the news again (Roy Moore).

» Random aside: There’s actually a bull named “Penmanship.”

» And, hey, with Valentine’s Day coming, maybe it’s time to write a love letter—by hand.

 

My Cursive Handwriting Sucks
Sunday, September 17th, 2017
My cursive handwriting test.

My cursive handwriting test.

A confession: my cursive handwriting sucks. I write by hand so rarely these days, and when I do, it tends to come out as a sort of stylized printing I forced on myself thirty or forty years ago. So I just tried writing a few short cursive sentences on an index card to see what it looks like.

Yeah, it sucks. In fact, I couldn’t even remember how to write a capital “T.”

Alas, I’m not alone. What got me testing out my cursive today was a recent news item about how Cambridge University educators are considering dropping their handwritten exam requirement—after more than 800 years. The problem being that the faculty is having trouble reading students’ handwriting.

18th-century penmanship from Kentucky County, Virginia.

18th-century penmanship from Kentucky County, Virginia.

“There has definitely been a downward trend,” says history lecturer Sarah Pearsall. “It is difficult for both the students and the examiners, as it is harder and harder to read these scripts.”

Bummer.

A Need for Speed

But I’ve long predicted this. Our smart digital devices are feeding our need for speed when it comes to all forms of communication. I mean, let’s face it: it takes a lot longer to write a thank-you note by hand than to tap out a text with your thumbs. Sure, taking the time to learn cursive might be good for your brain, your manual dexterity, and your memory, but first-world humans just prefer living in the fast lane these days, apparently.

The handwriting of Meriwether Lewis

The handwriting of Meriwether Lewis.

This got me wondering (not for the first time) how things might change if the grid goes down. Say a computer virus, an asteroid, a natural (or nuclear) disaster, solar flares, or Siri Personified takes us all offline in an instant. How will we communicate over long distances in such a post-apocalyptic scenario? Well, I reckon we’ll have to go back to scribbling out notes using charcoal on birch bark and handing them to a courier, who will deliver them to our remote recipient in person. And I can imagine the dismay on the face of our correspondent who can’t read a word we’ve written.

“Return to Sender. Illegible.”

Learn by Doing

Perhaps at the very least it’s worth practicing—if not your cursive—your hand-printing every now and then. Maybe by jotting down a grocery list, composing a thank-you note by hand, or authoring an actual letter, inserting it into an envelope, and dropping it in the U.S. Mail. I daresay pen makers and the U.S. Postal Service will appreciate it, as will your recipients. So long as they can read your writing.

The irony is that, during the decades of the decline of my penmanship, I’ve taught myself to decipher various styles of cursive handwriting from centuries gone by. And you can bet there’ll be someone with similar skills to help us out centuries from now:

“Siri, read me that old cursive letter.”


Miscellanea

» Cursive makes you smarter: a wonderful essay about all this stuff.

» Another articulate argument for not scrapping handwriting instruction.

» To heck with handwriting recognition: recognizing handwriting is a moving experience.

» Geneva, Ohio, honors the master penman who created Spencerian Script.

» Yes, truly exercising the brain sometimes takes a little time.

» On the 200th anniversary of Jane Austen’s death, a graphologist reveals a few secrets.

» Finally, Darick “DDS” Spears has released a new hip hop album called “Penmanship.”

 

Long Live Longhand! The Upswing in Cursive Handwriting Instruction
Monday, March 6th, 2017
A showing of Geographica Script font.

A showing of Geographica Script.

Are cries of “long live longhand!” being heard? Although I don’t dare declare it so—it’s starting to seem that reports of cursive’s demise are premature.

I am remiss, meanwhile, for not having at least dashed off a little update here on The Penman over the past few months. Instead, I had my head down, working to finish our latest font, Geographica Script, a replication of 18th century roundhand. The task of type design is, for me, a matter of sustained fixation—so many tiny tasks to complete over the course of hours, days, weeks, and (in this case) months. When it comes to font work, I just dive in and go.

Perhaps it’s because elsewhere in my life I tend to procrastinate.

Our Professor font, as it might appear on a blackboard.

Professor, our modern cursive simulation.

But the font is done, and delivered to distributors, and now’s a good time to sit back and ruminate over my odd mission to preserve and make accessible old penmanship styles. It’s a mission I question often. (Is my work in fact having the opposite effect?) But when an early licensee of Geographica Script mentioned his reason for ordering—he’s up in his 70s, has missed the days of longhand, and wants to ensure that his grandchildren can read and appreciate a cursive hand—I remembered one reason I’ve been keeping the discussion alive.

That’s when I ventured a quick scan of recent online mentions of penmanship and handwriting. Lo, there’s been a shift—and the news is encouraging.

For one thing, schools in a few U.S. states have begun requiring handwriting instruction again, instruction not required by the Common Core Standards adopted in 2010. A state rep in Ohio has recently introduced a bill to require students to be proficient in cursive by fifth grade. Arizona has similar legislation on the books already. Louisiana has also begun learn cursive from third through twelfth grade. Education officials in New York City, meantime, are distributing handbooks on handwriting instruction to schools—which have the final say on whether to teach it.

Google image search for “old letters.”

Google image search for “old letters.”

And support for a revival isn’t just coming from older folks lamenting how things used to be. A younger, online crowd is showing an interest in the “ancient” art of hand-lettering. Just google “old letters,” and you’ll get more than 300 million results, and scores of lovely images of vintage script. Ironically, it seems, easy new imaging technology is managing to preserve—perhaps even popularize—that old outdated longhand.

Current typographic trends also show a fascination with loopy cursives. Just check a graphic design site or two, and you’ll see what I mean. Never mind the science that describes cognitive benefits from manipulating pens and pencils—and their tendency to slow you down.

Of course, it’s never wise to underestimate the lament of a grandparent. Nor is it a bad idea to make sure new generations can still read their ancestors’ letters—or even becoming adept at writing that way.

Examples of Library Hand, from A Library Primer (1899).

Examples of Library Hand.

Cataloguers’ Hand

One interesting historical handwriting relic I stumbled over the other day is Library Hand, a style of lettering developed in the late 19th century expressly for card catalogs. At a four-day gathering in 1887, librarians and “cataloguers” sought to standardize what at the time were wildly varying writing styles—not all of them legible.

(“The handwriting of the old-fashioned writing master is quite as illegible as that of the most illiterate boor,” this article in Atlas Obscura quotes from a New York Library School handbook.)

Both near-typewritten and “joined-hand” styles emerged from the 1887 meeting, each painstakingly, nitpickingly standardized. Eventually, of course, typewritten cards took hold—and more recently card catalogs have more or less completely vanished. Lucky for us, reproductions of Library Hand were saved.


Miscellanea

» Praise of the good ol’ handwritten letter (a powerful gesture).

» Appreciation of a good signature, and the history of penmanship.

» Another feature of handwriting (as I’ve mentioned here): it can help diagnose illness.

» Of course it can also shed light on the personality of, let’s say, the POTUS.

» Robots are even trying their mechanical hand at, well, handwriting (good luck with that).

» With longhand making something of a comeback, how will you do in this cursive quiz?


Abigail Adams American Scribe Botanical Scribe Douglass Pen Emily Austin Houston Pen

Lamar Pen Military Scribe Old Man Eloquent Remsen Script Schooner Script Texas Hero

Antiquarian Antiquarian Scribe Bonnycastle Geographica Terra Ignota

Attic Antique Bonsai Broadsheet Castine

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