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The text face used here (as well as elsewhere) is Broadsheet. The home page letters are set in Emily Austin & Lamar Pen. All typefaces referenced on this website Abigail Adams, American Scribe, Antiquarian, Antiquarian Scribe, Attic Antique, Austin Pen, Bonhomme Richard, Bonsai, Botanical Scribe, Broadsheet, Castine, Douglass Pen, Emily Austin, Geographica, Geographica Hand, Geographica Script, Houston Pen, Lamar Pen, Military Scribe, Old Man Eloquent, Remsen Script, Schooner Script, Terra Ignota & Texas Hero (as well as all other fonts in the Handwritten History Bundle)are the intellectual property of Three Islands Press (copyright ©19942015). For site licensing contact: Three Islands Press P.O. Box 1092 Rockport ME 04856 USA (207) 596-6768 info@oldfonts.com |
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Posts Tagged ‘written communication’
Sunday, July 23rd, 2017
 My own peculiar hybrid of printing and cursive.
We humans are lazy. We’re always looking for a shortcut, an easier method, a faster way. We aspire to achieve a sort of wizardry, the ability to change our environment with a thought, a word, a wave of our hand. Witness Amazon Echo, Google Home, Apple HomePod—our wish is their command.
Trouble is, the easiest way is rarely the most rewarding. If I’d brought home a store-bought birdhouse instead of building one myself, the first flight of those fledglings wouldn’t have thrilled me so. If I planned my bicycling routes to avoid all hills, I wouldn’t have such an excellent resting heart rate. If I’d decided to stay cozy instead of hiking that hill in a snowstorm, I would’ve missed that Snowy Owl.
Recently I stumbled on a blog post whining about a growing interest in preserving the “lost art” of cursive handwriting. In this world of swift, silent keyboards, the blogger thought it crazy that anyone would want to revert to such a slow, tedious, old-fashioned mode of communication. “We have machines to do this stuff for us now,” he wrote. Of course, this blogger’s (rather ill-written) diatribe reminded me of a slew of arguments in my case for cursive. Here are three.
 Detail of a handwritten letter from my ma.
Purposefulness
Making time to put pen to paper slows your thought processes, giving you time to edit those sentences before you write them down. Without the ease of digital deletion, you tend to get more words right, first time. Because you know ahead of time that the task will take a while, you’re not so prone to speeding headlong through your composition. A dashed-off email is a completely different beast from a handwritten letter: the act of writing by hand is far more contemplative, more deliberate. You’ll find it more relaxing, too, and will be happier with the result—that is, at least, my well-considered opinion.
 A page of Stephen F. Austin’s prison diary.
Personalness
Write a letter by hand, put it in an envelope, address the envelope, and send it to a friend or loved one through the U.S. Mail. You know, the way they used to do in bygone days. I guarantee your recipient will be thrilled to find an old-style letter in their pile of computer-generated snail mail—especially if this person recognizes your handwriting. And chances are good (if you’re like me, anyway) that your handwritten letter will become a keepsake, outliving even you and your friend or loved one. I have scores of handwritten letters from my mother (an epistolary champion who eschewed newfangled word processors), but only a handful from my dad (an early computer enthusiast).
Playfulness
If you’re still unconvinced, what better way to send private messages to your intrigue-loving kids than by teaching them to read and write in cursive? Few these days will manage to decipher your secret code. (And your kids will forever be able to read those old family keepsakes without having to consult an expert.)
Even if you don’t mind cutting corners now and then, consider this: using cursive actually takes less time than printing—now considered “handwriting” by most people who still use pens and pencils.
Update on Austin Pen
The particular penmanship I’ve been studying these days, of course, belonged to Stephen F. Austin. Slowly and surely, letter by letter, Austin Pen takes shape. And I’m excited to be creating an alternate “blot” alphabet—one that’ll replicate the look of an over-inked pen. I’m still deciding whether to add this as an OpenType stylistic alternate or a separate font. Stay tuned!
Miscellanea
» A graphologist claims to be able to tell whether you’re a Great Briton.
» Read a thoughtful, lovely tribute to the charm of a handwritten letter.
» Get a look at Thomas Jefferson’s original draft of the Declaration of Independence.
» Huzzah! for the “groundswell of support” for bringing back cursive.
» Here’s news of some interesting old manuscripts discovered in New Zealand.
» I’m inevitably moved by any celebration of handwritten communication.
Tags: cursive, handwriting, handwriting instruction, handwriting is cool, handwritten letters, legible handwriting, letter-writing, penmanship, personal letters, personalness, playfulness, purposefulness, secret code, thoughtfulness, written communication Posted in 19th Century, 20th Century, 21st Century, Communication, Cursive, Education, Graphology, Literacy, Longhand, Old Letters, Penmanship, Ruminations, Type Design | No Comments »
Sunday, November 13th, 2016
We’re not just losing handwriting: written communication generally is going away.
 Detail from the journal of Mirabeau B. Lamar (1835).
I’ve mentioned here the little surge of emotion that comes when you recognize the writing of a loved one—or even, I suppose, the notes of a strict professor, or the scrawl of a stalker. In all cases, a lot more gets communicated by the slope of the letters, the look of the lines, than by the actual words and sentences themselves.
But imagine a world where those words and sentences themselves have gone missing. Imagine a virtual life in which everyone simply talks to each other, and any subtle hints to deeper meaning must come from the oldest nonverbal cues—tone of voice and facial expression. It’s where we seem to be headed in this digital age.
 Detail of 1407 Bible by Gerard Brils of Belgium.
Thanks to smart devices, now within arm’s reach of most First World residents, the ease of capturing audio and video has increased a hundredfold. Podcasts are how we document change or predict the future, replacing magazine articles and newspaper columns. We listen to storytelling and standup comedy instead of going to the library to check out books to read. We’ve been suddenly thrust into a golden era of TV.
Never mind the loss of longhand—typing on a traditional keyboard has given way to hammering out txts and mssgs with just two thumbs. With autocorrect, who needs to learn how to spell? Heck, witness the sudden proliferation of emoji. Is it inconceivable that written literacy will, over not a very long time, diminish and fade?
 Calligraphic font Zapfino (1998), by Hermann Zapf.
Maybe I’m being pessimistic—after all, my very livelihood depends on the written word—but consider the spread of this: “tl;dr.”
Short of an apocalyptic global catastrophe, I can think of no event that might reverse this slow extinction of reading and writing. Only if the grid goes down will we have to revert to lighting our own lamps, and making our own lampblack ink, sharpening our own quills, and pounding our own pulp into paper. I suppose that might be seen as a silver lining.
 Excerpt from the diary of my father, Leslie Willson.
I’m drawn again to a page of my father’s diary—this one from 07 August 1945, the day after the bombing of Hiroshima, when he was a 22-year-old serviceman—written in his familiar cursive hand:
“I cannot conceive of any harnessed force so powerful. Although no mention was made of the actual damage done by this one bomb, its potential effect is tremendous. It may well shorten the war to weeks or days—and it may well have been the death rattle of this round green earth.”
Well, here we are more than 70 years later, and no planetary cataclysm has occurred. So it might be up to our human eye for art and history to preserve our lovely alphabets—the beauty of calligraphy, the magic of an ancient inscribed scroll. Current type design trends, in fact, seem full of fanciful scripts.
Nope, I cannot abandon hope. I can’t conceive of life without the written word.
Miscellanea
» Does the loss of cursive mean social devolution?
» Or have computers effectively taken the place of the pen?
» Have you ever noticed how your handwriting has changed over time? (Mine has.)
» Another argument why teaching handwriting to kids is a good thing.
» What do François Mitterrand and Steve Jobs have in common?
» More moving evidence of the timeless power of handwriting.
Tags: apocalypse, calligraphy, communication, cursive, diary, future, graphology, handwritten communication, handwritten letters, Hiroshima, historical handwriting, journal, keyboards, Leslie willson, literacy, nonverbal communication, nonverbal cues, off the grid, penmanship, podcasts, predictions, reading and writing, smart phones, storytelling, text messages, written communication, written literacy, written word, WWII, Zapfino Posted in Calligraphy, Communication, Cursive, Graphology, History, Literacy, Longhand, Old Letters, Penmanship, Ruminations, Science, Specimens | 1 Comment »
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