 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
|
 |
The text face used here (as well as elsewhere) is Broadsheet. The home page letters are set in Emily Austin & Lamar Pen. All typefaces referenced on this website Abigail Adams, American Scribe, Antiquarian, Antiquarian Scribe, Attic Antique, Austin Pen, Bonhomme Richard, Bonsai, Botanical Scribe, Broadsheet, Castine, Douglass Pen, Emily Austin, Geographica, Geographica Hand, Geographica Script, Houston Pen, Lamar Pen, Military Scribe, Old Man Eloquent, Remsen Script, Schooner Script, Terra Ignota & Texas Hero (as well as all other fonts in the Handwritten History Bundle)are the intellectual property of Three Islands Press (copyright ©19942015). For site licensing contact: Three Islands Press P.O. Box 1092 Rockport ME 04856 USA (207) 596-6768 info@oldfonts.com |
|
|
|
 |
 |
 |
|
 |
 |
 |
Posts Tagged ‘handwriting instruction’
Sunday, July 23rd, 2017
 My own peculiar hybrid of printing and cursive.
We humans are lazy. We’re always looking for a shortcut, an easier method, a faster way. We aspire to achieve a sort of wizardry, the ability to change our environment with a thought, a word, a wave of our hand. Witness Amazon Echo, Google Home, Apple HomePod—our wish is their command.
Trouble is, the easiest way is rarely the most rewarding. If I’d brought home a store-bought birdhouse instead of building one myself, the first flight of those fledglings wouldn’t have thrilled me so. If I planned my bicycling routes to avoid all hills, I wouldn’t have such an excellent resting heart rate. If I’d decided to stay cozy instead of hiking that hill in a snowstorm, I would’ve missed that Snowy Owl.
Recently I stumbled on a blog post whining about a growing interest in preserving the “lost art” of cursive handwriting. In this world of swift, silent keyboards, the blogger thought it crazy that anyone would want to revert to such a slow, tedious, old-fashioned mode of communication. “We have machines to do this stuff for us now,” he wrote. Of course, this blogger’s (rather ill-written) diatribe reminded me of a slew of arguments in my case for cursive. Here are three.
 Detail of a handwritten letter from my ma.
Purposefulness
Making time to put pen to paper slows your thought processes, giving you time to edit those sentences before you write them down. Without the ease of digital deletion, you tend to get more words right, first time. Because you know ahead of time that the task will take a while, you’re not so prone to speeding headlong through your composition. A dashed-off email is a completely different beast from a handwritten letter: the act of writing by hand is far more contemplative, more deliberate. You’ll find it more relaxing, too, and will be happier with the result—that is, at least, my well-considered opinion.
 A page of Stephen F. Austin’s prison diary.
Personalness
Write a letter by hand, put it in an envelope, address the envelope, and send it to a friend or loved one through the U.S. Mail. You know, the way they used to do in bygone days. I guarantee your recipient will be thrilled to find an old-style letter in their pile of computer-generated snail mail—especially if this person recognizes your handwriting. And chances are good (if you’re like me, anyway) that your handwritten letter will become a keepsake, outliving even you and your friend or loved one. I have scores of handwritten letters from my mother (an epistolary champion who eschewed newfangled word processors), but only a handful from my dad (an early computer enthusiast).
Playfulness
If you’re still unconvinced, what better way to send private messages to your intrigue-loving kids than by teaching them to read and write in cursive? Few these days will manage to decipher your secret code. (And your kids will forever be able to read those old family keepsakes without having to consult an expert.)
Even if you don’t mind cutting corners now and then, consider this: using cursive actually takes less time than printing—now considered “handwriting” by most people who still use pens and pencils.
Update on Austin Pen
The particular penmanship I’ve been studying these days, of course, belonged to Stephen F. Austin. Slowly and surely, letter by letter, Austin Pen takes shape. And I’m excited to be creating an alternate “blot” alphabet—one that’ll replicate the look of an over-inked pen. I’m still deciding whether to add this as an OpenType stylistic alternate or a separate font. Stay tuned!
Miscellanea
» A graphologist claims to be able to tell whether you’re a Great Briton.
» Read a thoughtful, lovely tribute to the charm of a handwritten letter.
» Get a look at Thomas Jefferson’s original draft of the Declaration of Independence.
» Huzzah! for the “groundswell of support” for bringing back cursive.
» Here’s news of some interesting old manuscripts discovered in New Zealand.
» I’m inevitably moved by any celebration of handwritten communication.
Tags: cursive, handwriting, handwriting instruction, handwriting is cool, handwritten letters, legible handwriting, letter-writing, penmanship, personal letters, personalness, playfulness, purposefulness, secret code, thoughtfulness, written communication Posted in 19th Century, 20th Century, 21st Century, Communication, Cursive, Education, Graphology, Literacy, Longhand, Old Letters, Penmanship, Ruminations, Type Design | No Comments »
Monday, March 6th, 2017
Are cries of “long live longhand!” being heard? Although I don’t dare declare it so—it’s starting to seem that reports of cursive’s demise are premature.
I am remiss, meanwhile, for not having at least dashed off a little update here on The Penman over the past few months. Instead, I had my head down, working to finish our latest font, Geographica Script, a replication of 18th century roundhand. The task of type design is, for me, a matter of sustained fixation—so many tiny tasks to complete over the course of hours, days, weeks, and (in this case) months. When it comes to font work, I just dive in and go.
Perhaps it’s because elsewhere in my life I tend to procrastinate.
But the font is done, and delivered to distributors, and now’s a good time to sit back and ruminate over my odd mission to preserve and make accessible old penmanship styles. It’s a mission I question often. (Is my work in fact having the opposite effect?) But when an early licensee of Geographica Script mentioned his reason for ordering—he’s up in his 70s, has missed the days of longhand, and wants to ensure that his grandchildren can read and appreciate a cursive hand—I remembered one reason I’ve been keeping the discussion alive.
That’s when I ventured a quick scan of recent online mentions of penmanship and handwriting. Lo, there’s been a shift—and the news is encouraging.
For one thing, schools in a few U.S. states have begun requiring handwriting instruction again, instruction not required by the Common Core Standards adopted in 2010. A state rep in Ohio has recently introduced a bill to require students to be proficient in cursive by fifth grade. Arizona has similar legislation on the books already. Louisiana has also begun learn cursive from third through twelfth grade. Education officials in New York City, meantime, are distributing handbooks on handwriting instruction to schools—which have the final say on whether to teach it.
 Google image search for “old letters.”
And support for a revival isn’t just coming from older folks lamenting how things used to be. A younger, online crowd is showing an interest in the “ancient” art of hand-lettering. Just google “old letters,” and you’ll get more than 300 million results, and scores of lovely images of vintage script. Ironically, it seems, easy new imaging technology is managing to preserve—perhaps even popularize—that old outdated longhand.
Current typographic trends also show a fascination with loopy cursives. Just check a graphic design site or two, and you’ll see what I mean. Never mind the science that describes cognitive benefits from manipulating pens and pencils—and their tendency to slow you down.
Of course, it’s never wise to underestimate the lament of a grandparent. Nor is it a bad idea to make sure new generations can still read their ancestors’ letters—or even becoming adept at writing that way.
 Examples of Library Hand.
Cataloguers’ Hand
One interesting historical handwriting relic I stumbled over the other day is Library Hand, a style of lettering developed in the late 19th century expressly for card catalogs. At a four-day gathering in 1887, librarians and “cataloguers” sought to standardize what at the time were wildly varying writing styles—not all of them legible.
(“The handwriting of the old-fashioned writing master is quite as illegible as that of the most illiterate boor,” this article in Atlas Obscura quotes from a New York Library School handbook.)
Both near-typewritten and “joined-hand” styles emerged from the 1887 meeting, each painstakingly, nitpickingly standardized. Eventually, of course, typewritten cards took hold—and more recently card catalogs have more or less completely vanished. Lucky for us, reproductions of Library Hand were saved.
Miscellanea
» Praise of the good ol’ handwritten letter (a powerful gesture).
» Another feature of handwriting (as I’ve mentioned here): it can help diagnose illness.
» Of course it can also shed light on the personality of, let’s say, the POTUS.
» Robots are even trying their mechanical hand at, well, handwriting (good luck with that).
» With longhand making something of a comeback, how will you do in this cursive quiz?
Tags: Arizona, cursive, cursive in schools, cursive instruction, cursive script, cursive writing, Geographica Script, handwriting, handwriting instruction, handwritten letters, historical, library hand, longhand, longhand resurgence, Louisiana, New York schools, Ohio, old handwriting, old letters, pen, pencil, penmanship, Professor font, teaching cursive Posted in 1700s, 19th Century, 20th Century, Communication, Cursive, Education, History, Literacy, Longhand, News, Old Letters, Penmanship, Round Hand, Ruminations, Science | No Comments »
|
|
|
 |
|
 |
|
 |
 |